Rappers and beach umbrellas rarely cross paths, but that changed when Eminem launched proceedings against Australian beachwear brand “Swim Shady”. The dispute raises a broader question that businesses increasingly face: how far can humour go before it becomes trade mark infringement? And should the UK adopt a clearer parody defence in trade mark law, like the US has?
Eminem, who also goes by ‘Slim Shady’, owns several trade marks containing the word SHADY covering music and merchandise, including applications and registrations for SLIM SHADY in Australia and the US. Swim Shady, a Sydney beachwear start-up, secured a US registration for SWIM SHADY and sought protection in Australia.
Eminem is now challenging both, arguing the name suggests a commercial link or endorsement. Swim Shady insists its brand is a sun-protection pun rather than a hip-hop reference and is seeking to knock out some of Eminem’s older marks for alleged non-use.
At the heart of the dispute is whether “Swim Shady” is a playful nod that consumers will see as humour, or a brand name trading on the reputation of a world-famous persona.
Playful branding has landed businesses in trouble before. Brighton waste business “Lord of the Bins” received a legal threat from the owners of the Lord of the Rings franchise, objecting to its name, colour scheme and ring-style logo. Although the case didn’t reach judgment, the waste company ultimately rebranded – illustrating the pressure small businesses face when parody edges too close to a famous mark.
In Australia, vegan chain “Lord of the Fries” fared better. Middle-Earth Enterprises opposed its trade mark application, but the Australian Trade Marks Office allowed it to proceed. The conceptual distance between fast food and fantasy novels helped tip the balance, suggesting that humour can survive where the goods, imagery and messaging are sufficiently removed from the original.
US courts have been more willing to acknowledge parody explicitly. The “Chewy Vuiton” case – dog toys mimicking Louis Vuitton handbags – is the classic example. The toys were obvious jokes, and the court found no likelihood of confusion or dilution.
US cases tend to draw a line between:
Where the parody is blatant and consumers won’t assume endorsement, US law can be forgiving. But when the parody functions as a trade mark, identifying the source of goods, the tolerance diminishes.
Unlike for copyright, UK trade mark law contains no explicit parody exception. The legal tests for infringement in the context of parodies invariably focus on:
Parody/humour can be a contextual factor to be taken into account when assessing trade mark infringement (e.g. pointing against a likelihood of confusion), but it is not a defence. Even if consumers aren’t confused, a parody can still infringe, for example, if it “free rides” (i.e. takes unfair advantage) on a well-known brand or harms its image.
Some argue for a specific parody carve-out, similar to the copyright exception introduced after the CJEU Deckmyn decision.[1] They say strong brands risk chilling humour, commentary and cultural expression.
But a statutory exception carries risks. A broad parody defence could:
Most trade mark practitioners prefer the current framework: parody does not give rise to a defence for trade mark infringement proceedings and a parodic trade mark can be refused by the UKIPO on the basis of bad faith. As the Hearing Officer found in Swatch v Apple[2]:
“whilst parody was an important part of free speech, there was a difference between parody in commercial communications and registering trade marks consisting of parodies of a rival’s marketing signs, and using the trade mark registration system to obtain exclusive rights to such signs went far beyond what was necessary to engage in legitimate parody.”
Eminem’s actions are not really about whether Swim Shady’s name is funny. They are about whether the pun is being used as a trade mark in the course of trade and whether it unfairly leverages the goodwill/reputation in SLIM SHADY.
These actions will likely focus on:
For UK companies – especially in fashion, tech and consumer goods – playful branding is tempting. But:
The Swim Shady dispute may reignite calls for a clearer parody defence in UK trade mark law. But for now, strong brands – from ring-bearing wizards to Detroit rappers – retain the tools to cast shade on imitators whose humour strays too close to their trade marks.
[1] Deckmyn v Vandersteen (C-201/13)
[2] Swatch AG v Apple Inc [2021] EWHC 719 (Ch)